Bags' Groove Written-By – Milt Jackson: 6:59: Companies, etc. Milt Jackson & Benny Golson & Art Farmer & NHØP - Bags Groove He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post-bop players. Well, it came from church. For the composition by Milt Jackson, see, Last edited on 14 November 2020, at 00:42, "Billboard – December 16, 1957 (Page 38)", https://en.wikipedia.org/w/index.php?title=Bags%27_Groove&oldid=988576969, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 November 2020, at 00:42. Vibraphonist Milt Jackson was a significant figure in the evolution of jazz vibraphone. The other tracks recorded during this session may be found on Miles Davis and the Modern Jazz Giants (PRLP 7150), and all of them are also featured on the compilation album Thelonious Monk: The Complete Prestige Recordings. Other recordings from the same session are included on the album "Miles Davis and the Modern Jazz Giants", and include "The Man I Love', "Swing Spring", and "Bemsha Swing". Chapter IV summarizes the many unique features of Milt Jackson's playing style. He preferred to set the vibraphone's oscillator to a low 3.3 revolutions per second (as opposed to Lionel Hampton's speed of 10 revolutions per second) for a more subtle tremolo. The pianist plays brilliantly, as usual, although this album doesn't necessarily stress the piano, but rather the band texture as a whole. ! This version is famous for fact that Thelonious Monk did not play behind Miles during his solo (at the request of Miles) and, after that, he delivered one of his most renowned solos at the piano. It was first recorded by the Milt Jackson Quintet on April 7, 1952 for Blue Note Records, later released on Wizard of the Vibes.  From the mid-1970s to the mid-1980s, Jackson recorded for Norman Granz's Pablo Records, including Jackson, Johnson, Brown & Company (1983), featuring Jackson with J. J. Johnson on trombone, Ray Brown on bass, backed by Tom Ranier on piano, guitarist John Collins, and drummer Roy McCurdy. Chapter III examines Milt Jackson's solo style in the blues through a detailed analysis of six transcriptions of his most famous composition, "Bags' Groove." “Bag’s Groove” is a 12 bar blues written by the great vibraphonist Milt Jackson. Chapter IV summarizes the many unique features of Milt Jackson's playing style. This article is about the Miles Davis album.  Jackson quickly acquired experience working with the most important figures in jazz of the era, including Woody Herman, Howard McGhee, Thelonious Monk, and Charlie Parker. , The MJQ had a long independent career of some two decades until disbanding in 1974, when Jackson split with Lewis. In a departure, LeDonne plays Hammond organ on the swinging "Namesake," which is a bit cluttered but quite energetic. Perhaps the most famous recording was the one by Miles Davis's quintet in 1954. ! This is a great blues to know. Jackson was discovered by Dizzy Gillespie, who hired him for his sextet in 1945, then his larger ensembles. Add to Collection Add to Wantlist Remove from Wantlist. 7:23 PREVIEW Compassion. 1. It’s important to have a decent repertoire of blues heads in your tool belt. Other important recordings include those by Ray Bryant, Oscar Peterson, Al Haig, George Russell, Mal Waldron. Enlisting two guys named Jim (Jim Snidero, alto and flute; Jim Rotondi, trumpet) and three named Steve (Steve Wilson, alto and soprano; Steve Davis, trombone; Steve Nelson, vibes), LeDonne gives these tunes a thickly and poetically harmonized treatment. Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually thought of as a bebop player, although he performed in several jazz idioms. On his third Double-Time release, Mike LeDonne assembles an illustrious octet in honor of one of his mentors, the late vibraphonist Milt Jackson. Some of his other signature compositions include "The Late, Late Blues" (for his album with Coltrane, Bags & Trane), "Bluesology" (an MJQ staple), and "Bags & Trane".  By that time Percy Heath had replaced Ray Brown. ("Bags" was vibraphonist Milt Jackson's nickname.) please pay attention ! Next was the Mat Mathews quintet with Herbie Mann (July 6, 1953), Bud Powell (September 1953), Mat Mathews again (September 1, 1953), a bootleg version by the MJQ (October 31, 1953), the Lighthouse All-Stars (February 25, 1954), bassist Buddy Banks' quartet (with During the early-to-mid-1950s they became the Modern Jazz Quartet, Lewis became the group's musical director, and they made several recordings with Prestige Records , including the original versions of their two best-known compositions, Lewis's " Django " and Jackson's " Bags' Groove ".
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